Proton Pack

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Above is my updated Steampunk Ghostbuster Aetheric Projector pack, which now has lights and sound!

I shot the image above in darkness to show of some of the lighting. Many of the following images show the pack in full light as well, to give you an idea of what it looks like.

Please ignore the battered work-bench. It's a workbench, which means it gets drilled, spilled, grilled, and milled, but is rarely polished and restored to furniture grade beauty. 

The gun-like object on the lower left is the aether emitter. It's connected to the main pack with thick copper cable, and the hook on the lower right of the pack acts as a holster.

A side view....

View of the uppser section. The globe on the left has interior illumination, as does the 'vacuum tube' assembly on the right. The blow disc at the bottom left is a plasma disk made with LEDs. The plasma pattern changes shape at random.

And that's most of it, lit up at once. The lights can be set to either remain on or flash a different rates; I find the flashing to be most effective, but it makes it difficult to catch a photo of everything lighted.

Below is a short video of the whole pack in action. I mentioned sound before, and yes, I can use my phone's Blutooth setting to stream audio right to the pack's speaker. I'll be building an audio file just for the pack -- I'm thinking steam hisses overlaid onto clocks ticking, with weird stuff thrown in at random -- but for this video, I just picked a song at random and turned it on. 

Click below, and enjoy!

https://youtu.be/pGSfHG8s03w

 

 

 

 

 

Markhat Art!

The painting above was done by local artist Thomas Grosskopf, and it's a beauty. Depicted are Darla, Markhat, Mama Hog, and a few of their fanged foes.

Thomas lives in Abbeville, a small town just a few miles from Oxford. We'd never met, until the librarian at my old alma mater, Lafayette High school, asked me to come and give a talk to the book club a couple of Fridays ago.  

I did, and I was gobsmacked when Thomas presented me with the painting above. Turns out he's a Markhat fan, and he certainly captured the characters. Mama Hog has never made a book cover, but that's a perfect rendition of her.

You can see more of Thomas's art at the Bozarts Art Gallery on 403 Main Street in Water Valley, Mississippi.

Thomas, thanks again for the stunning painting! It's always an incredible experience when your books inspire art. 

 

 

The Knocking Man

Finally. It's October.

I love everything about October. The scary movies, the Halloween decorations, the first hint of chill in the air. The falling leaves. The sight of my lawn mowers sitting idle in the corner of the garage.

Yes, it's my favorite time of the year.

(To read this in the large print edition, click here).

In honor of October, I'd like give you a free audio story that I think fits the spooky mood perfectly. By following the link below, you can listen to me reading my short story 'The Knocking Man.'

It's a half hour long, so settle back, grab something to drink, and hit the play button. I hope you like it. 

 

THE KNOCKING MAN on YouTube

 

For next week, I hope to have some new ghostly EVPs for you to listen to. I'll be taking my gear out to various cemeteries in hopes of capturing voices that are hard to explain. 

Until then, enjoy The Knocking Man. 

I've also added some new lighting features to my steampunk ghostbuster's proton-aether pack. The pictures are below. I plan to wear this somewhere, for Halloween, despite the sad fact that the things weighs as much as a brand new Chevy Volt.

Here it is, propped against my workshop wall, in dim light:

The shot below was taken in the dark, with all the lights set for always on -- they can also flash, which is the setting I'll use for some of them.

I'm pretty happy with it, especially since it's made from junk plumbing parts, an old motorcycle clutch, and the guts of a vacuum cleaner. 

See you next Sunday! And remember, if you want to leave a review for WAY OUT WEST, it's only a click away...

 

 

 

Broken Promises

© 3dalia | Dreamstime.com - <a href="https://www.dreamstime.com/stock-illustration-d-devil-author-render-writing-pen-image41641172#res5678350">3d Devil Author Photo</a>

Just last week, I claimed I wouldn't be talking anymore about the new Markhat book, Way Out West.

Turns out I lied. That happens a lot -- but Big Al's Books and Pals, the renowned indie book review site, featured Way Out West last week, and I just can't let that pass unannounced.

(To read this in the large print edition, click here).

You can read the full review by clicking below:

Review of Way Out West by Big Al's Books and Pals

Did they like the book?

That's always the first question that springs to mind when I get notice of a book review. Here's the book you spent months slaving over, sweating blood over, pouring your heart and soul into -- and now it's out there, all alone in the wild, facing its audience for the first time.

It's a scary moment. No two people are going to come away from a book with the same experience. I know of books that are beloved by people -- smart people, people with taste and discernment -- that left me scratching my head and wondering what all the fuss was about. There are even highly-touted books that I read and loathed. Which isn't to say they're bad books, by any means. They just weren't right for me.

So what if my book wasn't right for that particular reviewer? What if they read it, and hated it with the burning fury of ten thousand bright young suns? What if they publicly declare their hatred for the book to an audience of hundreds, or thousands? What if I've crawled so far under this heavy sofa out of sheer terror that I can't get free and my corpse is found years later, much to the amusement of the readership of Fark?

Two things happened, concerning the review in Big Al's. First, they liked the book. And second, I was able to squirm free of the sofa after a forty-five minute struggle. 

So it is with an immense sense of relief and no small level of back pain that I can post an excerpt from the review.

"It’s a wild ride of murder, intrigue, and time warps. New characters who play important parts are written with depth and style. Darla is sharp and takes on an impressive role as Markhat realizes he married up in class.

There are delightful surprises among the darkness of this tale and more twists in the plot than any roller-coaster ever invented."

Now that's the kind of review that I live for. Because it means that maybe, just maybe, the book worked.

Novels are a lot like engines made out of words and pauses and pacing. Mostly words. You try and put the right words in the right places, in the hope that the whole of them will take on a life of their own. You hope that the reader sits down and turns the ignition with the first dozen words, and that the book cranks right up and takes the reader on a ride they won't soon forget.

That's the fear of every writer when a review comes up. The fear that somewhere along the road from Chapter One to The End, the engine just sputters and dies, or veers into the dread ditch of boredom. When that happens, it's trip over, and another book is always ready to pick up the stranded and offer them a ride.

But that's the nature of the beast. You do your best and then sit back and hope for the best.While you work on yet another little engine that might.

I am especially glad that the reviewer picked up on Darla's growth too. I've got big plans for her, and she is rising easily to the demand. So much so that The Darla Diaries may start appearing sometime next year.

So that's one important review I can file under 'five stars.' 

Makes all the blood, sweat, and tears worthwhile.

(Top image courtesy of © 3dalia | Dreamstime.com)  

 

 

So Who's Reading My Books?

© Jrabelo | Dreamstime.com - Couple Sitting Together And Looking At A Book With A Worried Facial Expression Photo

I've been compiling statistics concerning my readership, particularly of the Markhat books.

How do I collect this data, you ask?

Nosey, aren't you, I reply. But since you asked, I managed to crack Amazon's mysterious book-ranking feature, so I now have access to some data not available to the public. 

(To read this is a large print format, click HERE).

Here's how my readership breaks down, ranked in descending order of total impact:

  • Readers chained in my basement.
  • That guy who's been stuck in the Dakar airport in Senegal since 2010.
  • Mrs. M. O. Feinstien, of Flushing, who still disapproves of the name 'Markhat.' Sorry, Mrs. Feinstein, it's too late to change his name now.
  • The pair of NSA analysts who started compiling a dossier on me since I searched 'airports in North Africa' just a few minutes ago.
  • The students of Miss Krieger's fourth-year World Cultures class, who despite being in Liechtenstein were assigned 'Brown River Queen' as required reading material. I think this was a clerical error, kids, but my no-refunds policy is still in play. Deal with it, or, as they say in Liechtenstein, 'komm damit klar.' 
  • The Dalai Lama. Thanks for all the fan mail, dude, and yes we've totally got to 'throw back a few suds' one of these days. You party animal you.

Armed with this vast array of data, I can now fine-tune my marketing efforts. And by 'marketing efforts,' I mean increase the frequency of the beatings down in the basement.

 Way Out West has already garnered reader reviews on Amazon. My favorite of these is the one below, which is a direct quote from the book:

Well done, RedHerrin, well done! And thanks. 

Seriously, book marketing is hard. I really have no idea what to do -- blog tours? Tweets? A barrage of 'Hey read my book' posts (like this one)? 

I've decided against pretty much all of those avenues. My plan is to just work on a new book and hope people like Way Out West enough to talk about it. 

So this is probably the last time I'll mention the book, unless there is an actual need to discuss it. I will announce the availability of the print edition, which should be ready in a few days. It will be priced at $9.99, which is about as low as I can price it without actually losing money on each sale.

That said, here's one more link to the book, and one more picture of the cover, for anyone who missed the previous blog, which announced the book's release.

WAY OUT WEST for Kindle

WAY OUT WEST for Nook

And the cover, which I love with a love most unseemly:

 

 

Way Out West

Here it is, folks.

The tenth title in the Markhat Files series, Way Out West, is now on sale in Kindle format on Amazon, and as a Kobo ebook from the Kobo site!

Here are the links:

WAY OUT WEST on Amazon, in Kindle format.

WAY OUT WEST on Kobo, in Kobo format.

Other formats will follow, probably later this week. There will be a Nook version, an Ibook version, and a Google Play edition. The print book will also be available on Amazon shortly.

(To read this blog entry in a large-print edition, click here)

I could have waited to do a full-spread release, but since 99% of my sales are Kindle ebooks, I decided to go ahead and launch today.

That's the cover above. I love this cover; the artist got everything right. I wanted Darla front and center this time, to reflect her equal role in the book. I think her expression is perfect -- she's clearly a woman to be reckoned with. 

The locomotive is there, too. The train in the book is named the Western Star, and I wanted it featured as well, since it's the setting. There's also a clue to a pivotal scene hidden in the cover, but that's for readers to discover on their own.

So what's this book about?

It's about home. About leaving home. About changes. About making those decisions that all of us face from time to time. Stay or go. Fight or flee. Play it safe, or take a chance.

I realized when I finished writing Way Out West that it was heavily influenced by current events. Like it or not -- and I don't -- our world is changing. Every year is the hottest on record. Society is in turmoil. There are storms brewing on every horizon, and unless you've got a vault stuffed with money, places to hide are hard to find.

Darla and Markhat are in the same situation. Old magic is creeping back into their world, changing the landscape as it moves and strengthens. Rannit's walls may have withstood the War, but they'll provide no defense now. Not when monsters stroll the streets.

That sounds dark. Yes, there are dark aspects to the book, but I hope you'll come away from the experience with a sense that there is still good in the world, most often right at your side.

Mama Hog is back, of course. So are Slim and Buttercup, Evis and Gertriss. Magic and murder, guns and sorcerers, wise-cracks and close calls -- it's a wild ride.

I hope everyone enjoys the book. And if you do, (ENGAGE BEGGING MODE) please leave a review. 

I'll post updates when the other versions go live. It won't be long, so if Kindle ebooks aren't your preferred format, don't worry!

I do hope you enjoy Way Out West.

 

 

 

Not Long Now

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If you've been waiting for the new Markhat book, your wait is nearly over.

Editing is done. A bit of formatting remains, but not much -- I expect to release the new book, WAY OUT WEST, in a few weeks. Maybe just a couple.

This will be the tenth entry in the series. For anyone unfamiliar with the previous titles, they are, in order, as follows:

And now, WAY OUT WEST.

(To read this blog in a large print edition, click here).

Markhat has enjoyed quite a career, one I never saw coming the first time he walked onto the page and started cracking wise to all and sundry. He's faced murderous magics, grappled with sinister sorcereries, tackled mad magicians and phantom murderers and flat beers with equal aplomb.

So I'm thrilled to offer this latest adventure, and it's one I truly hope you enjoy.

I will tell you this much -- this one is set on a train. Specifically, a steam locomotive, bound for the wastelands left empty and in ruin by the War. The wastes are slowly repopulating, with towns springing back to life along the railroad, and Markhat's new case takes him to the end of the line.

Darla is a full partner in this story. I've come to enjoy writing her as much as I do Markhat. I've even toyed with the idea of a spin-off series featuring Darla'a own adventures, told by her (The Darla Diaries?). If someone can please provide me with an extra three to five hours a day, I'll get started at once.

Next week, I'll reveal the cover for WAY OUT WEST here in the blog.

Today, though, I'll provide you with an excerpt from the book. No spoilers, no secrets revealed -- just a single scene, to give you a taste until the whole book is available.

The scene takes place shortly after the Western Star leaves Rannit. They've just entered the plains, when the locomotive comes to a screeching unscheduled halt.

FROM WAY OUT WEST:

The bar car was pandemonium.

Shattered glass and spilled booze covered the floor. Half the occupants had their faces pressed to the windows while the other half made for the door.

Darla and Gertriss, bless them, were back to back by the door, pistols drawn.

“We didn’t do it,” I yelled, over the din. “Evis. Follow the crowd. Keep an eye out for long thin knives or people sneaking into sleeping compartments. Gertriss. Watch Evis. Darla. With me.”

Evis nodded and charged the door, Gertriss on his heels. Darla took my hand and we followed, shouldering our way through the crowd.

By the time we reached the platform between cars, the Western Star was stopped. Her steam engine still chugged, and her funnel still belched smoke, so I was at least reassured we hadn’t exploded. Yet.

I shoved a pair of hesitant riders aside and put boots on the gravel track bed. Darla hopped down after, and together we sprinted past the stopped cars, watched the whole time by rows of worried faces.

Gravel crunched behind us. I turned to see a small mob of brave souls following in our wake, led by the stumbling clown. He saw me turn and honked his red nose at me, nearly tripping from the effort.

The Western Star was nineteen cars, not counting the tender and the locomotive. I was huffing and puffing by the time we drew even with the engine, and unable to cuss when I saw what lay ahead.

“What the hell?” said Darla, who wasn’t even panting.

A mastodon, the biggest one I’d ever seen, was sitting on the tracks, waving its hairy trunk back and forth between its monstrous yellow tusks. And I do mean sitting—its back legs, all forty tons of them, were folded so that the beast’s wide ass was planted across the tracks.

The mastodon’s musk was so powerful my eyes began to burn, and I had to struggle not to gag. Horseflies buzzed thick about us.

“Those are Trolls,” said Darla, lowering her revolver and hiding it behind her skirt.

I nodded. Flanking the mastodon was a pair of Trolls, also seated, remaining still and silent in what I understood to be a Trollish gesture of friendly respect.

Huddled in a nervous mob at the locomotive’s blunt prow was Engineer Stoddard and a pair of sooty toughs I assumed were coal shovelers.

“Trolls and their horse,” I said.

“Why would they park their horse on the tracks?” Darla asked.

“Because they can park it anywhere they damn well please, I suppose,” I said. Engineer Stoddard turned, saw me, and smiled the kind of smile one reserves for delivering bad news to people you don’t like.

“Well, there he is,” he barked, hooking a thumb over his shoulder. “I’ve already sent for the basket of apples. You get to deliver it. That’s the Watchman’s job, dealing with Trolls.”

His burly fire-men snorted until Darla let them see her revolver.

“Apples?” I asked. “Why apples?”

Stoddard shrugged. “Because they like apples. How the hell should I know? They’re Trolls, they don’t make no sense. They stop the train. You give them apples, let them talk Troll bullshit until they get done. They move their Troll horse, and we waste a half a damned day getting back up to speed. That’s the job, fancy man. Now it’s your job. Here’s the apples.”

Rowdy came charging up, dragging one side of a bushel basket of apples while another conductor dragged the other.

“I’ll go with you, Captain,” Rowdy said.

“Hell you will,” snarled Stoddard. “That’s a Watch job. You’re with the C&E. Get back to your car.”

“Go on, kid,” I said softly. “I can manage.”

Darla stepped up and shot a killing glare at the engineer. “I’ll take this side, dear,” she said. Her revolver had vanished as quickly as a magician’s trick rabbit. “We wouldn’t want to impose upon the C&E by asking them to do a man’s job, now would we?”

I grinned and grabbed the other handle. Engineer Stoddard’s face turned the vibrant red of a ripe tomato.

“No indeed, wife,” I replied. “I’m sure they’ve got a full day of cowering to do.” I tipped my hat to the railroad men as we passed them. “Mind you don’t soil your underbritches, gentlemen.”

If they had any retort, the Western Star herself rendered it inaudible with a long billowing discharge of compressed steam.

Gravel crunched behind us, as the clown raced to catch up. “Don’t mind me,” he said. “Don’t worry about the Trolls, either. They’re friendly.”

“How do you know that?” asked Darla.

“Because we ain’t dead,” he replied. “Here, I’ll go first.”

And he did, charging up to the larger of the two Trolls before breaking into a clumsy, bumbling dance.

“That is either the drunkest man I’ve ever seen, or the bravest,” said Darla.

“Both,” I replied. The apple basket was heavy. We took our time, so I got a good look at both Trolls before stepping within smiting distance.

The rightmost was typical Troll—a towering mass of muscle and fur decorated with foot-long talons and piercing Troll eyes. He was naked, save for a cargo belt and an ornamental necklace made from weathered human skulls, each missing the lower jaw and strung together through ragged holes on each side of the cranium.

The Troll on the left was half the size of the other. His fur was dark, almost black, and though his eyes were every bit Troll warrior, they darted about constantly and something like a grin shaped his toothy maw.

“Is that a child?” whispered Darla.

“I think so,” I replied. “Unusual. They’re shy about bringing their youngsters around humans.”

The adult Troll started clapping in time to the clown’s ridiculous dance. “Ho, ho, ho,” it boomed, followed by a string of wet Troll words that might have been a cheerful greeting or a graphic description of the dismemberment to come.

We dragged the bushel of apples as close as I dared. “Greetings, Walking Stone,” I said, taking off my hat. “May your shadow fall tall and your soul grow to meet it.”

The Troll nodded but kept clapping. The railroad clown danced gamely on, gasping for breath but, by the Angels, keeping his too-large shoes shuffling in the gravel.

“Show him an apple before I have a stroke,” muttered the clown. “I can’t keep this up all damned day.”

Darla snatched up a ripe red apple. “For you and yours, Walking Stone,” she said, holding the fruit aloft. “A gift, given in friendship.”

The Troll ended his claps with a bellow and a laugh.

The clown dropped to his knees and vomited. Both Trolls erupted into fresh gales of laughter.

“It is good to be greeted with mirth,” boomed the adult Troll, in passable Kingdom. “We accept your gifts.” He switched back to a Trollish gargle, and the smaller of the pair marched forward, careful to keep his mouth closed and his fangs hidden.

“We are indeed a mirthful folk,” I said, as the Troll youngster approached. “Mirthful, friendly, and mostly unarmed. My name is Markhat. This is my wife, Darla.”

“I’m Jiggles,” said the clown, still mopping his chin with his filthy sleeve. “Pleased to meet you all, yer lordships.” He gave his false nose a desultory honk.

The elder Troll nodded. “We saw the wounded sky, and knew a hurried iron horse approached,” he said. “My son Iron-in-Legs wished to see his namesake, before we quit these lands.”

The Troll kid took the basket from Darla with a wink. He shoved a handful of apples in his maw and started chewing them before he turned and took the basket back to papa.

“Named after a train, is he?” I replied. “Well, that’s a first. Tell you what, Walking Stone. Why not bring your son on the train, let him have a closer look? He could even blow the whistle. Would he like that?”

The Troll tilted his head at me, and for an awful moment I was afraid I’d unwittingly delivered some dire insult. But then the Troll laughed and exchanged a few words with his son, whose responses were somewhat hampered by his mouthful of half-chewed apples.

“That would indeed be an honor,” the adult Troll replied at last. “Although our agreement with the iron road men does not extend to such liberties.”

“It does today,” I said, while Darla tried to shush me. “The iron road men will do as I say. Isn’t that right, dear?”

“I sincerely hope it is,” Darla said.

I made a sweeping gesture toward the Western Star. “Please, be my guests,” I said. “Bring your horse, if you wish. Our tender car has great big water tanks. He may drink from those.”

Darla bit back a snort.

“That is indeed most generous,” replied the Troll. He turned, and bellowed to the mammoth. It replied with a loud, clearly annoyed sigh and rose from its haunches to lumber up behind the Trolls.

I turned. “Follow us, friends,” I said, and I set off at a good clip.

“Mister, you should have been a clown,” said Jiggles. “You’ve got the damned mouth for it.”

“Never got the hang of juggling,” I replied.

“That engineer is going to be livid,” Darla whispered. “No wonder we’re never invited to parties.”

“Merely doing my part to establish trust and cooperation with our Trollish brethren,” I replied. Indeed, as the thunderous tromping of the mammoth and the Troll’s happy booming conversation reached the Western Star, dozens of faces turned our way. Most of the crowd milling about outside the train cars made their way hurriedly back inside.

Stoddard was the only man standing by the time my impromptu parade reached the locomotive.

“This is Engineer Stoddard,” I said, turning to face the Trolls. “He drives the hurried iron horses. He is delighted to meet you both, and he welcomes you aboard his train with open arms and a smiling, eager heart. Isn’t that right?”

“What the hell—” Stoddard began.

“Furthermore,” I added, “he invites your mighty horse to slake his thirst from the C&E’s complimentary and no doubt sparkling water. See that the tank car’s water cover is removed, Engineer Stoddard, that’s a good man.” I pushed the sputtering engineer aside and gestured for the Trolls to climb aboard. I’ve not spent much time around mastodons, but this one either knew the word water or his snout functioned as an exceptionally keen nose, because he was already pacing beside the locomotive, exploring its intricate workings with his trunk. “Follow me, gentlemen. Mind your heads. The opening may be a bit low for Trollish persons.”

Stoddard cussed but barked out orders. The mastodon eased tensions by lifting its tail and depositing a steaming ten-bushel heap of dung damned nearly in Stoddard’s face.

I swung myself up on the locomotive’s step and offered Darla my hand. I moved quickly inside to make room as a furry Troll foot came down on a locomotive’s iron bones for the first time in history, I guessed.

The pounding of human feet charging for the back cars sounded over the steady chugging of the steam pistons.

“It stinks,” opined the adult Troll, squeezing his nostrils shut. Even stooped and huddled as best he could, the adult Troll could barely fit his massive frame through the Western Star’s cramped locomotive gangway.

The younger Troll, though, managed to sidle his way all the way to the front of the engine. He gurgled out words that I’m sure meant ‘Look, Papa, shiny machines!’ before he charged directly into the engineer’s cab.

Stoddard, his face the color of burning coal, managed to squeeze himself past the Troll and plant himself firmly in front of the brass levers and wheels that operated the train. “If Trolls wreck this train, I swear I’ll see you pay for it,” he growled at me.

“Show him the whistle,” I replied. “The kid wants to blow it.”

Stoddard’s eyes bulged, but he reached up and pulled hard at a worn iron lever.

The Western Star’s steam whistle blew, three short blasts. “Tell him not to tear it out of the works,” said the engineer.

The kid didn’t need any prompting. His furry Troll paw closed on the lever and he yanked and let the whistle sound until Poppa Troll muttered something in Troll.

The kid let go. My ears rang, but I kept my smile.

“You can tell everyone you made the hurried iron horses sing,” I said. The elder Troll translated for me, and the kid responded finally with a single solemn Trollish nod.

“You do us honor,” said the elder Troll. He clambered down from the train and stretched, his briefly extended claws flashing bright and white in the sun. “Walk with me, as we depart.”

We walked. The kid took up the rear, stealing glances at the train and munching down apple after apple.

Darla came too, and didn’t bat an eye when the mastodon’s massive trunk, still dripping from his drink at the tank car, took a curious sniff at her hat.

“The hurried iron horse stank of more than the coal,” said the adult Troll as soon as we were well away from the train. “It stank of the magic your folk employ. The dark magic. You have a special word for such stinking magics…”

“Sorcery?” I asked.

“Yes. That word. Be warned. Such a stench alone is cause for alarm, for turning, for seeking a new path. But your peril is threefold. The radiant child approaches from the east. The gray fate from the west, drawn by the dark. This thing you call the train, it is to be a meeting place. You would do well to come with us. My horse may bear the happy burden of many friends.”

I nodded, choosing my next words carefully. “I am honored, Walking Stone, to be named among your friends. I must remain with the train, though, as my own friends are bound to it, and I am determined to see them safe.”

The Troll shrugged. He reached into one of the pouches attached to his belt, and produced a small bundle of weeds and sticks bound together with twine.

“Take this,” he said, tossing me the bundle. It smelled of sage and Troll. Mostly Troll. “You gave Iron-in-Legs a boon. I give a boon to you. This was blessed by a word from the Wise. Burn it in an hour of need. The smoke will bear the power of the word. May it serve you well.”

I nodded gravely. “I thank you, Walking Stone. You do me and mine honor.”

The Troll blinked, and we set out again, still meandering through the tall plains grass.

“You said earlier you are quitting these lands, Walking Stone,” said Darla, after a time. “Might I ask why?”

The Troll swiveled his big dark eyes about, and his voice fell to a hoarse Troll whisper. “Many things, dark and light, are awakening,” he said. “Waking, to walk. More join their number with every sunrise. The day is approaching when the old tales will be flesh, the old terrors born anew.” The Troll turned to look at me. “Do your folk not see this too?”

“We’ve seen,” I said, thinking of river monsters and the Slilth. “But what are we to do?”

“My folk seek our old lands, the lands of the low sun, the lands of ice and the skies of the cold fire,” said the Troll.

His son spit out a gob of apple-seeds and the elder Troll batted him casually on the back of his head.

“Just how far north are you heading?” I asked.

“As far as there is land underfoot,” he replied. His voice fell even further. “Though the wise among us say that may not be far enough. Even the face of the Moon is troubled, friend. This is a new thing that even the Wise have not seen.”

Darla’s hand closed on mine.

“We wish you well,” I said, when the mastodon halted, and the Trolls gathered by its side. “Safe travels, and warm beds.”

“It is a brave man who chooses to walk with death,” the Troll replied. “A brave wife who walks beside him. May your shadows fall tall and your souls grow to meet them.”

Darla gasped. She knew enough about Trollish etiquette to realize what a profound gesture the Troll just made by speaking the traditional blessing to us.

Both Trolls made flat-footed flying leaps from the dirt to the mastodon’s furry shoulders. The elder Troll bellowed, and the mastodon turned and trundled away north, trailing horseflies and stink.

Darla and I watched them go.

I didn’t realize for a moment she was shivering. It wasn’t cold.

“Look, that was all a lot of frontier hooey,” I said. “Trolls are worse than Mama Hog when it comes to seeing boogeymen behind every bush.”

“That’s absolutely factual,” said Darla. “But you know damned well everything he said was true. Every word of it.”

I frowned. “Radiant children? Gray dooms? Sorcery on the train? Someone knifed a Watchman, sure, but that’s just plain old murder.”

She turned to face me. “Even Bel Loit won’t be far enough, will it?” she asked. I could see her eyes moving, see her taking in the empty grassy plain, the wide blue skies, the retreating mammoth and its riders.

“Nothing coming but tomorrow, hon,” I said. “It’ll be just another day. Only difference is that I’ll be slightly more distinguished, and therefore irresistible.”

She kicked me in the shins, but her heart wasn’t in it. I grabbed her up in a fierce hug about the time the Western Star’s whistle began to blow.

“That man is furious,” Darla said as we put our backs to the retreating Troll horse and made for the train.

“Railroad men,” I said with a dramatic sigh. “Always angry, always in a hurry. They’re not serene like us.”

The mammoth bellowed in a long, sonorous reply to the train whistle. We marched on, the grass whipping about our knees.

A pale gray disk of moon rode high in the cloudless sky. If the face of it was troubled, I couldn’t discern it. I did wonder if Stitches was still up there, cataloging her trove of wonders, all alone.

The whistle sounded again, three short blasts, and then the Star’s steam engine groaned and roared. Great billows of steam shot from her undercarriage. A fat plume of black coal smoke began to pour from her funnel, and as we watched the mighty pistons stirred and the great iron wheels squealed as they turned.

We had to run to catch up and haul ourselves aboard. Darla was laughing, and I suppose I was too, and we stood there on the steps for a long time just watching the endless plains quickly pass us by.

....continued in WAY OUT WEST!

 

That's just a very small excerpt from the book. I do hope you'll come along for the ride. 

 

 

 

Real Life Hero

That was the scene in my front yard last February. I post it here because I'm tired of the relentless Mississippi heat, and it's a reminder that the stifling muggy days of summer will soon give way to autumn.

Of course autumn here generally means a quarter of an hour of cool, crisp weather followed by weeks of rain, but the temps do dip down below those required to bake a cake, and I for one will welcome the change.

(To read this in the large print edition, with black text on a white background, click here)

 Of course, it could be worse. Much worse. Not too far south of here, a storm dumped three feet of water as it passed over the Baton Rouge. I saw one parish sheriff report that most of the residents of his parish, some 155,000 of them, had lost their homes and most of their possessions to flooding. People were trapped on tiny hills along I-55 for days, with nothing but rising water on all sides. 

Out of all this, the so-called 'Cajun Navy' took shape, as commercial fishermen and anyone with a boat took to the water, rescuing trapped residents when no one else could. I was heartened to the people out in boats going after trapped and starving animals, too. There are still kind and brave souls among us, who risk life and limb simply because it's the right thing to do.

An Instagram user named Troy Green took this photo. Here's what heroes look like:

  https://www.instagram.com/p/BJG7vdvgbaF/

Amid all the ugliness and violence we see every day, just remember -- there are still good people in the world. People who will brave flood waters to rescue strangers. People who will pull exhausted dogs and cats and even horses and cows from the flood. People who do good.

Black and white red and yellow, I think this picture says it better than I ever could -- we're all quite literally in the same boat.

MARKHAT NEWS

The new Markhat book, WAY OUT WEST, has finished its last editing pass. The final manuscript is now off to the formatters, where it will be magically changed from a Word document to a ebook-friendly file. And a print version file. This will take a few weeks, but after that, it'll be ready for release. I'll announce a release date right here in the blog, so keep watching!

A week before the release, I'll also reveal the new cover. I've seen it, and it's beautiful. Darla joins Markhat on this cover, and I think it may be the best one yet.

MUG AND MERALDA NEWS

The new Mug and Meralda book, EVERY WIND OF CHANGE, is now halfway complete! 

A few readers have noted that we know nothing of Meralda's life before she became Mage. This book will address that gap, and introduce a new character rumored, by me right here, to be Meralda's mother. It's not a happy reunion. But it's way too eraly to be posting spoilers, so I'll shut up now.

In fact, I'd better get writing, or the book will never get finished. Take care out there, everyone!

 

Let The Games Begin

I'm riveted by the 2016 Summer Olympics.

Riveted to the precise same degree and to the exact extent that I am riveted by State Farm commercials. Actually, that isn't a fair statement. I might actually watch a State Farm commercial, whereas I can't be bothered to even glance at a screen displaying anything Olympic-related.

I know, that's a terrible, awful, unpatriotic thing to say. These athletes have spent their entire lives preparing for this event.  Nations have put aside their differences to participate. Fortunes have been spent preparing for the games. I stifle a small yawn.

(To read this in the large print edition, click here).

Sorry, but for me, the Games are just a vast waste of time and resources. But keep in mind I'd make the same claim about most sporting events, all of which ultimately boil down to people chasing balls around. I just don't care who scores the most touchdowns during a tennis match, or which team manages the most home runs during the Super Bowl. American football has cheerleaders, which is nice, but the camera keeps cutting away from them to show the game. 

I understand I'm in the minority in this regard. I don't begrudge people who do enjoy sports, although during football season everyone assumes I love them too, which leads to a lot of one-sided conversations about this quarterback's throwing ability or that defense's overall strategy. My neck gets sore from making the 'knowing nod' I've perfected over the years. I've tried politely saying "I don't follow football,' but that phrase is always met with a moment of confusion followed by the same 45 minute diatribe on football I always get. 

The Olympics might be more interesting if the sports featured were more in line with the current geopolitical situation. Here are a few events I'd like to suggest.

1) SCAVENGER HUNT. Ignoring the filth and pollution of Rio's waterways is the wrong choice. Instead, embrace the environment! Instead of swimming and kayaking through the pestilence-ridden sludge, assign each team a list of items they must retrieve from the murky waters. Human body parts, dead animals, cast-off furniture, specific bacterial pathogens -- imagine the thrill of watching swimmers drag limbless torsos toward the finish line while their rivals struggle to push an old Barcalounger ahead. Now that's a dramatic finish.

2) RUSSIAN ROPE-A-DOPE. If there's anything the Russian teams enjoy more than vodka, it's a solid regimen of performance-enhancing chemicals carefully designed to maximize physical prowess and evade detection by pesky drug tests. Let's make a sport of that by allowing rival teams to simply beef up with good old-fashioned crystal meth before a special one-on-one matchup. Play Benny Hill background music during the meets. 

3) MIXED MEDIA. Let's add the element of surprise to the Games by randomly assigning each athlete to a different team before the contests take place. Watch sprinters try to dive. See hockey players compete in bicycle races. Strap ice skates on weightlifters and fire up the Celine Dion tunes. I might even watch that.

4) MINEFIELD AND TRACK. I think the name says it all. Pole vaulting is a lot more fun to watch when explosions are involved. They needn't be lethal explosions, just ones designed to finally give these guys some real altitude. 

5) URBAN ENDURANCE RUNNING. Forget the boring oval track -- send the runners right through Rio, after strapping belts filled with cash around their waists. What is it the Olympic ads always say? "Records will be set. And broken." Darn right they will.

6) ROCKET ASSISTED LUGE. Sleds sliding down an icy track. Boring! Rocket-powered sleds blazing up the icy track from the bottom before being launched into the sky? Now that's athletic. All right, all right. Give the teams parachutes. Way to take the fun out of everything, Captain Buzzkill.

7) DUNGEONS AND DRAGONS. A table, some dice, pens and paper. Just play D&D the way it was meant to be played, but with dramatic lighting and a John Williams musical score. Still better than curling, which is just bloody silly. 

8) CALVINBALL. From the comic strip 'Calvin and Hobbes,' a game in which the players make up the rules as they play. Ghost bases! Invisible runners! Opposite zones! Scores of eleven hundred and sixty to blue. Listen, if people can get so excited about a game they'll actually sit still for three hours of soccer, Calvinball will take the world by storm. At least the inevitable post-game riots will be amusing to watch as furious crowds fight over whether a Phantom Double-Secret Fire Goal is valid if scored inside a five-point Silent Spy Zone. 

9) FASHION FOOTBALL. Play soccer -- but play it dressed in the formal attire of each nation, right down to the dress shoes and the corsages. Play must be executed while weddings, funerals, and other somber events take place on the playing field. Include the players in these events as ushers, caterers, even celebrants. Seeing pall-bearers defend their goal while carrying a coffin would add drama to the match. Huddle up, bridesmaids!

10) ARMS RACE. This will really shake things up. Before each Olympics, a single nation must agree to surrender a randomly chosen military asset as the prize in this bout. Athletes might be competing for a North Korean rowboat fitted with an antique SCUD missile, or they might be vying for a US-built Casablanca class aircraft carrier -- but they won't know until after the winner is announced. Great fun, especially as the cameras zoom in on the faces of horrified diplomats as they realize they must now deal with a nuclear-capable People's Free And Very Much Yes Democratic Republic of Lower Violencestan. 

You're welcome, International Olympic Committee. Please use any of these suggestions as you see fit, and as you have time to consider them amid the press of fraud scandals and bribe-laundering.

 

 

Frank's Handy Guide to Living in the Wasteland, Part 1

Regardless of where you fall (or more likely crash-land) on the political spectrum, one thing seems certain, at least according to every single internet comments section I've read -- we're doomed.

This is it, boys and girls, cry the naysayers. Western civilization is about to grind to a halt, topple over, and leave us all standing bewildered in a smoking, acrid ruin.

I don't believe that. But, just in case my cheerful optimism turns out to be wrong, there are things we all need to know about living in a Mad Max dystopia. As usual, I'm here to help.

So gather round! I'll start a fire in this rusty oil drum (cast-off oil drums are, of course, a staple of post-apocalypse settings), and we can discuss how to best survive once the Rule of Law goes the way of the dodo, the VHS tape, and people who sat quietly in movie theaters.

(To read this entry in the large print edition, click here)

BANDIT FASHION

The first thing you'll need to learn is how to maraud properly. There is an etiquette to the practice, and perhaps just as importantly, a style. Take a quick look at what you're wearing, right now. Then, after putting on pants, (and I'm truly sorry I remotely activated your laptop's camera), think about how your outfit will hold up while you roll around on the parched desert sand wrestling for the Earth's last intact box of chocolate fudge Pop-Tarts.

Not going to work, is it? Forget the Dockers, the thin cotton Beatles tee, the flimsy deck shoes. No, you're going to want leather, and lots of it. Leather pants. A leather jacket. Biker boots with extra-stompy heels and soles. I'm just assuming leather underwear also comes into play. 

Too hot, you say?

Well, buttercup, get used to sweating, because the Wasteland doesn't have any patience with your pre-apocalypse ideas about air conditioning or comfort. In fact, start each day by rubbing the slightly radioactive soil right in your face. First, it makes your skin less reflective, and therefore less of a target for the mutant snipers hiding in the ruins of that Costco you're planning to raid. Second, grunge is the new squeaky-clean, and if you think your social life is lacking now just you wait

Look the part, people. Get dirty and stay that way. Super-Glue your hair into spikes. Paint your face with whatever will serve as a pigment. You want to look fierce, because you aren't the only one out there scavenging for gasoline. 

POST-APOCALYPSE TRANSPORTATION

Speaking of gasoline, you'll want some. All you can get, because your heavily-armored Toyota Corolla won't run on radioactive rainwater.

What? You haven't started welding spikes to the hood of your car yet?

Sigh. Yes, I know what that will do to the resale value -- but we're talking the End Times here. Start strapping armor to your car RIGHT NOW. If you don't have a car, okay, use whatever you've got, but don't come whining to me when you try facing down rival gangs on your militarized Craftsman riding lawn mower only to face a barrage of hurtful sarcasm. 

Motorcycles are another favored form of transportation in the Wasteland. You'll look good, speeding down the eerily quiet streets, and you'll be glad you're wearing all that leather when you get knocked over by the nice lady who used to run your book club. Of course now she calls herself Queen of Fifth Street and she's aiming a bazooka at your head, but due to your cat-like reflexes and the fact that she's pointing the thing backwards, you've got time to compliment her hair spikes before making your getaway on foot.

Vehicles to avoid, even in the Mutant Badlands, include tricycles, those bloody stupid hoverboards, and of course Jeep Wranglers.

IMPROVISED WEAPONS

I'm sure you've heard someone say 'anything can be used as a weapon.' Which may be true, at least figuratively, but the guy wielding the salad tongs is unlikely to emerge victorious no matter how well-executed his face paint might be.

No, you'll want guns. One on each hip, a rifle slung across your back, a snub-nosed .38 stuck down your right boot, and a second small handgun secreted down the back of your leather pants. If you lack such an arsenal, well, do the best you can. Comically large hammers look imposing. Swords too, although if the blade falls off the hilt every time you draw it the effect is certainly lessened. 

Look around your garage. There's probably a golf club or two out there. Maybe a hockey stick, or a baseball bat. Do NOT yell 'Fore!' before you swing the golf club. A muttered 'Batter up!' is acceptable when employing a baseball bat. 

Every kitchen has an assortment of knives. Decorate the handles and blades with permanent markers. Skulls are a favored motif. Avoid the depiction of smiley faces or motivational poster messages. This is the Wasteland, and nobody wants to be reminded that 'Every problem is an opportunity in disguise.' 

NAMING YOURSELF

There are no Mr. Joneses or Miss Twilleys in the Wasteland.

Start referring to yourself as 'Cruncher' or 'Crazy Teeth.' Everyone in the Wastes has a catchy new name. It needs to be vaguely threatening but also contain just the right touch of gallows humor. Don't lay it on too thick; calling yourself 'Lord Deathstrike, Emperor of Lower Duluth' invites both scorn and small arms fire. Stick with one or two words. Forget what you did before it all fell apart -- Larry the Accountant is not a suitable moniker when you're competing socially against a mad-eyed cannibal named Crazy Teeth.

YOUR GANG

There is no "I" in Apocalypse, unless your face-paint is so toxic you can't remember how to spell. In any case, you'll need a tightly-woven gang of at least a half-dozen fellow survivors to have any chance at keeping the desperate hordes at bay.

The people you'll need most will be a mechanic, a doctor, a demolition expert, a Mafia assassin, and a taciturn sword-wielding Ninja. The people you'll have will be a copier repairman, Betty from Payroll, a homeless guy who hasn't even noticed the world just ended, the real estate salesperson you found hiding in your closet, and the shady dude who used to operate the kiosk at the parking garage. 

Still, that's what you've got. Maybe if you maraud mostly at night no one will notice shady guy's pot belly or Betty's insistence that everyone stop what they are doing and look for a functional expresso machine. 

YOUR LAIR

You'll need a place to store your looted snack foods. You'll need somewhere to shelter from the roving bands of bikers angered by the sudden widespread adoption of their preferred wardrobe style. Your tidy two-story faux-Tudor house simply won't do, and anyway that half of town burned to the ground during the first night of rioting. 

Instead, locate an underground missile silo with foot-thick steel doors and concrete barricades blocking the gate. If you can't find one, okay, I guess a derelict Subway sandwich shop will do. Reinforce the doors, avoid showing any lights at night, and ignore the real estate person's endless lectures on how the property is sadly undervalued in today's bullet-based economy.

ESTABLISH TRADE

When the last checkout lane in the last Walmart shuts down, you'll find that toilet paper is the new gold, and dented cans of Van Camps Beenie Weenies command the sort of economic clout huge wads of cash did in the Old Days. Sure, money is no more, but homeless guy's shopping cart full of dollar-store tuna is now worth more than an old world yacht.

Be smart with your meager supplies. Your gang has tuna and one-ply. The gang down the street has ammunition and a vending machine filled with Snickers bars. Establish a dialog, after a polite exchange of gunfire. An exchange rate will work itself out, and if you play your cards right, you'll be dining on chocolate by the light of a flickering trash fire. That's a good day, in the Wasteland.

FINAL WORDS

In between all the running and shooting and arguing over who is mutating faster, don't forget to have some fun, now and then. 

Prank rival gangs by egging their makeshift tanks. Restore an old radio station, and then play nothing but the same Nickelback song. Exceed the recommended daily allowance of carbohydrates. It's the Apocalypse, you guys. Nothing is going on your permanent record. You don't have to file taxes, or set the alarm for six, or even change your leather underwear twice a week. It's a Nihilist free-for-all, at least until the alien attack armada arrives, but that's a different TV show.

Look me up, after the dust settles. I'll be known as 'Frank,' since nicknames just don't stick on me. I'll be the pale guy tugging at his itchy leather pants and still pissed that he never binge-watched 'Game of Thrones' when he had the chance.

Now start hoarding Charmin, folks. We don't have much time.

 

 

 

 

Fun Link Roundup

This week, I'm setting aside my banal ramblings to introduce you to a few links I think are funny. Some of you may already be familiar with some of them, but keep looking -- there might be something you didn't know about in the mix. 

As always, to read this in the large print edition, go here.

BAD COVERS

Go browsing through Amazon's bookstore, and as soon as you get out of the best-sellers you'll start seeing covers so awful you'll sometimes stop to take a second look because, you think, surely no one intentionally saddled a poor innocent book with such a cringe-inducing cover.

But the truth is, the place is littered with hilariously awful cover art. 

I found a site that catalogs such covers. It's worth a look, if you're bored and you have a strong stomach. Consider it a crash-course in how NOT to make a cover.

See them here, at http://lousybookcovers.tumblr.com/

BAD PRINCESSES

The premise sounds strange, but give it a chance. The folks make hilarious 'rap battles' between fantasy princesses. There are quite a few, but here are a couple of links to get you started.

Ariel versus Snow White: click here.

Hermione Granger versus Katniss Everdeen:  click here

EPIC BATTLES

Tolkien versus George R. R. Martin, and a host of others. You'll love these.

Tolkien Versus Martin: click here.

THE HILLYWOOD SHOW

The Hillywoods do parody videos, and they do them RIGHT. My favorite is the one I'm linking to, which is a musical Dr. Who number set, of course, to 'Let's do the Time Warp Again.' Brilliant stuff -- the Walking Dead entry is hilarious too.

Do the Time Warp: Click here.

MORE ART

Hope you enjoy the links above!

I've been working hard on the new Mug and Meralda this week. Made a lot of progress. I also started a new Meralda art project, and while it's a long way from being done, here are a couple of test renders.

Meralda is seated at the controls of a huge clunky walking engine. Here's a render of her atop it.

And here's another test shot, of her taking the engine on a stroll through Tirlin's famous park.

MerridingMech2B.jpg

I'll be refining these as I have time. But the actual book takes first priority.

In Markhat news, I've started on the second round edits for WAY OUT WEST. Which means a release isn't far off. I also have a cover, which I'll be revealing here as soon as this round of edits is done.

That's it for this week! Take care, people. Smile at someone. 

 

Worth a Thousand Words

There are few worse things to befall a writer than the discovery of a new addiction.

Last week I posted a few images of Meralda Ovis, and indicated I might post more from time to time.

I didn't expect to spend so much time making more of them so soon, but I did. Oh, I wrote too; I haven't abandoned the new Mug and Meralda book, which is coming along (finally) at a good pace.

(Note: If you want to read this is a large print format, click here).

I've found that making these images helps me stay focused on the book. Creating them is time-consuming and tedious, yes, but it also lets me explore my characters in an entirely new way. 

I think you'll find these new pictures are a good bit more detailed and realistic than the first offerings. I've been playing with lighting and posing -- if none of that interests you, by all means just scroll down to the pics. 

But if you're curious about how the pictures were made, here's a behind-the-scenes look.

First, posing. 

Every 3D default character available has an internal skeleton, right down to the small bones in the fingers and the toes. You select your bone, and then you can move it left to right, up or down, or with a twist. The trick is to select one of the pre-shaped poses and tweak it to your needs. For these pictures that will follow, I selected a sitting pose, took the come-hither aspect of it down several thousand notches, and then put her hand on her chin. Then you wrestle with clothes, because they don't just automatically fit your figure's body (well, sleeves do, and the top, more or less, but skirts? No way).

Add a Victorian settee and a room with appropriate wallpaper, and you've got yourself a scene.

Here's the first render I took, which was a close up of Meralda's face.

It's not bad. Her fingers are perfectly positioned. She stands out from the dark background. There are realistic shadows.

But it lacks drama. I used the classic 3-point lighting system, which consists of a bright spotlight close to her face, just above her head, positioned not directly in front of her but at about 45 degrees to the right of her. That's called a 'key' light.

To keep the left side of her face from being lost in shadow, I added a second light, the so-called 'fill' light. It was close to the floor, not quite as bright as the key light, and aimed up at her face.

Finally, I added a third light, right behind her, aimed at the back of her head. This is the 'kicker' light, and it serves to put a highlight around her silhouette, so she doesn't vanish against the dark background.

The lights worked, more or less.

But I wanted a touch of shadow on her face. Too, her eyes -- I wanted to try and have her looking at the camera, and thus you, the viewer.

A word about messing with eyes. You have to adjust them one at a time, which means you can easily come up with some truly bizarre pictures while you're adjusting them. It's also possible to accidentally pull them right out of their sockets. But don't worry, I quickly put them back in.

You can't really see what you're doing except in the most basic, cartoonish way while you're doing it. Until you render the scene, which takes 3 or 4 hours each for the images presented here, you can't be sure what you're going to get. You can spot-render small areas, which I did, but that too is an iffy proposition. My kicker light kept spilling onto her ear lobes and cheek, resulting in weird white patches that ruined every one of those full renders.

So I changed things around, and came up with a new image. Same pose, but with changes to her eyes, camera angle, and intensity of all the scene lights.

That's a little better. But I still didn't get the shadows I was looking for. So I tried again, knocking the lumens down on every light by nearly half.

After some tweaking in PaintShop, I wound up with the image above. It's my best portrait so far. 

I've got one other Meralda image to show. This one isn't a portrait; she's outside, in one of the Palace gardens, dressed in her Laboratory work clothes.

Hope you enjoyed the pics! There will be more. One day I'll manage to create a convincing Mug, but that day is not here. A 3D model of a plant with 29 eyes is going to take more skill than I've got at the moment.

And now, a small rant about the clothing usually depicted for fantasy females.

Look, no one, barbarian warrior queen or powerful spell-hurling sorceress, can go around fighting in a handful of straps, a thong, and high heels. I know, book covers sell books, and sex sells -- well, anything, but sheesh. A little realism wouldn't hurt, now and then. And though I'm not a woman, would most women go to their closets and say "You know what? I think I'll head into some deadly conflict wearing this Victoria's Secret lingerie. Yes, that is certainly the right choice. And these six-inch stiletto heels. Maybe a single brass bracer on my left arm, just in case things get rough. Maybe some Spandex panties. Yeah, that's the ticket."

I doubt it. I have nothing against the female form. Quite the contrary. But maybe it's time we stopped using women as marketing tools 24/7. Rant over.

I'll leave you with two final images. First, another of Darla, from The Markhat Files.

And now for something completely different.

Ever wonder where toads hide during the day? Well, in our case, they take refuge from the sun inside concrete cinder blocks. I give you four friendly toads, lounging in the cool shade.  Have a good week, folks! Be careful out there.

 

 

Rendering Meralda

I've written here before concerning my status as a talentless and therefore frustrated graphic artist.

Pens, pencils, brushes -- I wield them all with the same skill and artistic flair as would last October's Halloween pumpkin. In fact the jack-o-lantern, despite its lack of appendages, would probably produce better art than me about half the time simply by rolling its mushy decaying bulk over the blank pages.

I'm that bad.

But I do know my way around a mouse and a keyboard, and at long last, I've found software I can use to actually create images worth looking at.

The software, DAZ 3D Studio 4.9, is free. You can download it yourself, if you have a desire to try your hand at 3D graphic imaging. I did so last week, and after watching the tutorial videos, I set out to create Meralda Ovis, the heroine of All the Paths of Shadow and All The Turns of Light.

If you haven't read the books, Meralda is a bookish, shy genius who single-handedly revolutionizes flight on her world while saving it. The setting is vaguely Victorian, though Meralda's home isn't on the Earth we know. I've described her as having reddish-brown hair and brown eyes, but I always had a picture in my mind of what she looks like.

Now you can see that very same picture. So, without further adieu, I give you Meralda Ovis, Royal Thaumaturge to the Kingdom of Tirlin.

The image above may be my favorite one of the bunch. I love her expression; she's clearly up to something. I think I made her hair just the right amount of messy -- she's got better things to do than sit in front of a dressing mirror all day.

More of the coat in this image. Yes, I know her brooch vanished. Mainly because this is an earlier render, and I realized it was gone and replaced it in the first image.

But the detail is pretty amazing, considering my machine is hardly ideal for use as a graphics engine. I believe this picture took at least two hours to 'render,' which is a term describing the processing that takes place between the cartoonish first image and the final product.

Different placement, noonday lighting. I also changed her expression slightly. These are the clothes I tried to describe in the books -- long skirts, coat, sleeves, all that. Meralda as quite clear on several points, one being that if she was EVER dressed in a leather mini-skirt (fantasy females have an alarming tendency to be dressed in wildly inappropriate night-club wear) I might find myself with the head of a duck. One does not meddle with Thaumaturges if one values one's human appearance.

Another version. I liked it, but the eye makeup was a bit overly dramatic when it rendered. I can't see her wearing that to the Laboratory, knowing she'd need to touch it up half a dozen times during the day.

If you're curious, setting up each of these images takes me a couple of hours. Posing is the hardest part, at least for me. Each model has a fully articulated internal skeleton, and you move the subject by selecting the bones and adjusting them. It's not a speedy process. There are stock poses, of course, but even those require tweaking so clothes fit correctly.

Meralda against a plain white background, with a different expression. Yes, she has long fingers. And the shoulder ruffles of her coat need work, but overall I was pleased.

A close-up. There is a flaw in this image; a stray reflection from her right earring splashed light on her cheek, and I don't have time to move my lights in the scene and render a new image for today's blog. The rendering process is insanely detailed -- every object reflects or absorbs light as a real physical object would, and individual rays are traced and wind up in the final scene. I've had to learn a lot of lighting and real-world studio photography to produce faces that aren't washed out on one side and hidden in shadow on the other.

So, tell me what you think in the comments! If you've read the books, does this image match yours? I'm curious to see how my image compares to yours.

One last note -- I'm still offering fantasy-based diplomas for sale, so if you'd like a degree in Applied Thaumaturgy to hang on your wall, click your way toward my fantasydiplomas site.

Note: I maintain a large print black text on white page edition of this blog HERE.

Top of Your Class

Self-publishing, done right, ain't cheap. 

Yes, I know the correct phrase is self-publishing, done right, isn't cheap. But the use of ain't adds folksy emphasis. Perhaps it is even endearing. Pardon me while I look down at the worn toes of my battered shoes and mutter 'Aw, shucks.'

Now that the initial embarrassing moment is out of the way, I'd like to announce a new business venture aimed squarely at defraying some of the costs of bringing the new Markhat book to market. 

(Note: To read this in the large print edition, click here).

No, it's not a Kickstarter or a GoFundMe. You actually get something, for your 5 hard-earned bucks. 

You get an ornate, custom-designed diploma, printed on good heavy paper, suitable for framing. A diploma from a wholly fictional school, created entirely by me, customized with your name and your desired degree. Suitable for framing (I'll even send you a link to a seven dollar frame that works perfectly with the document). 

Curious? Then click your eager little clicky fingers on the URL below, and have a look at the offerings. All designed and executed by me. Website hand coded (obviously) by me. 

CLICK HERE FOR FANTASY DIPLOMAS DOT COM

There's a diploma, signed by Mama Hog herself, from Mama Hog's School of Divination and Potions and Hexing. There's also one from Meralda's alma mater, the Tirlin College of Science and Thaumaturgy. And several others as well, so go have a look!

ART FOR ART'S SAKE

The Universe often plays mean tricks on its inhabitants.

Take me, for instance. I've always wanted to draw, or paint. While I've painted many a wall, badly, and drawn quite a few circuit diagrams or plans for sheds or roofs, I couldn't draw a marginally-convincing stick figure if you dangled a sack of money over the page.

I just don't have any talent in that area. No, that's not right.

I have a lack of talent so profound it's actually a negative talent in that area.

Which hasn't stopped me from trying. Most of my pen-and-paper efforts simply experience spontaneous combustion well before they are complete, presumably out of shame. 

My digital efforts were no more successful. I tried Poser 10, a well-regarded character creation program, until it started returning error codes that read 'Look, can't you find ANYTHING else to do?' and 'Seriously, dude, go outside and enjoy some sunlight.'

But hope springs eternal. 

I don't have Photoshop, because that bag of money I mentioned earlier was snatched away as soon as I tried to draw a stick-man's stick foot. But I do have two fairly powerful graphics programs, that I use to create images for this website, and just for fun. They are:

Corel Paint Shop Pro X8  (about 79 dollars new, for the Ulimate Pro edition)

Corel Painter Essentials 5 (20 dollars)

I play with them when I'm stuck writing. Now, from time to time, I'll post some of the images I've created using them here, in case any other hamfisted artist wannabees are curious.

The one below is of Darla, from The Markhat Files. In the new book, Darla and Markhat spend some time in Bel Loit, and go out dancing at a night club called Tall Thin Louie's. In the image below, Darla is passing in front of one of Bel Loit's many tumbledown cemeteries, in her evening gown.

Bel Loit, unlike Rannit, doesn't have a halfdead population (well, they do, but it's very small, and fiercely secretive). So no crematoriums, no dead wagons. Just graveyards. Which may or may not be peaceful places, after dark...

Markhat isn't pictured because he still looks like a crack-crazed Gumby and that's no fun for anyone. 

Coming up -- Meralda, Mama Hog, Slim, Evis, and anyone else I can manage. 

 

 

Markhat News

It is with emotion bordering on giddiness that I announce my Markhat series titles will NOT be fading into oblivion in the wake of February's announcement that Samhain Publishing was shutting down.

After restructuring, Samhain has decided to remain in business. Which means my existing Markhat titles will remain on sale, in both print and ebook formats, just as they've been for the last several years.

Better still, the new Markhat book, WAY OUT WEST, may hit the stands in the next couple of months. 

And the new Markhat book, tentatively entitled THE DEVIL'S HORN, is already underway.

I know, that's a surprising turn of events. But that's publishing -- change is the only constant.

To those of you who sent emails and messages of encouragement, thanks. You will never know much your words meant to me. I'm not ashamed to say that news of Samhain's shutdown gutted me. 

So, Markhat and Darla live on. With any luck, you'll be able to join them on a new adventure before the weather even cools off.

So what's in store for the series, from here out?

I can't reveal everything you know. But there are changes afoot. Big ones. 

No, no, I'm not talking about killing off Darla or anything daft such as that. I'm not George R. R. Martin (just look at our sales rankings, that will prove it). I'm not saying what Martin does is wrong or bad -- I'm just saying I don't want anyone finishing one of my books feeling like they just got punched in the face with chunks of a still-warm corpse. 

I think there's plenty of room for both styles of storytelling. Which doesn't mean every recurring character in my series is safe -- no, Markhat's world is a dangerous one. But I am stating that when I say 'changes,' I don't mean what so many of us have come to expect, i.e., killing off a bunch of series favorites.

I've had enough of that myself. My enthusiasm for The Walking Dead has even begun to dim, because frankly I'm weary of watching the characters I've come to care about get shoved into meat-grinders week after week. Okay, we get it, the show isn't afraid to eat its babies. Hurrah for them.

But that doesn't mean I will continue to sacrifice an hour a week to watch what to me is becoming blatant torture-porn. 

I grew up reading fiction from a different era, I suppose. Take the Nero Wolfe detective series, all seventy-some books of it. There was a sort of unspoken contract between the reader and Rex Stout, author of the books.

Stout would give us Archie and Nero and the brownstone. There'd be banter and a look inside the complex friendship between the gregarious, outspoken Archie and the reclusive, taciturn Wolfe. We readers would be presented with an intricate clockwork mystery. The clues would be right there in the open. We'd always fail to see them, until Wolfe recounted them at the end. Each tidy resolution was a blast.

But would Lily, Archie's lady friend, wind up slaughtered with a butcher knife? Would Cramer catch a bullet to the back of his thick New York cop head?

No. That was part of the implied contract. You came back again and again to enjoy the company of certain characters. 

Killing them off for shock, to wrench an easy emotional reaction from a fan -- that just wasn't done.

And I won't do it either. 

Which isn't to say what's on the horizon for Markhat and Darla isn't profound. It is -- but I'm trying for something more subtle than grief.

I think we've all had enough grief lately.

So that's my big news of the week. 

Now, I need to ask a favor. 

If you've read a Markhat book, and liked it, and left a review on Amazon, thanks. 

If you haven't left a review yet, please, click the link below, then find the book, and leave a review. 

It's important, now more than ever, and I'll tell you why.

Books with more than 25 reviews, I understand, get picked up by Amazon's 'bots and those are the books that get pushed in the 'You Might Also Like' emails and such. Which sells more books. Simple as that.

So here's the link to click. Markhat and Darla would really appreciate it -- they've got a houseboat to maintain, after all...

CLICK HERE TO FIND THE MARKHAT BOOKS AND LEAVE A REVIEW

Ghostbusters

There are a lot of terrible jobs out there. At this very moment, some poor soul is hosing out a porta-john after a chili festival. Elsewhere, someone is struggling to maintain a smile while some rage-fueled diner demands a full refund because the steak they just ordered and consumed contained (gasp) meat. 

But my vote for Worst Job of the Week goes to whomever administers the Facebook page for the new Ghostbusters movie.

(To read this in the large-print edition, click HERE.)

You guys and girls know me. I'm a hard-core Ghostbusters fan. I've built my own proton pack, cosplayed a steampunk Ghostbuster. I love the films, I own all the animated episodes, I watch the movies whenever I can. 

I'll never forget how much fun I had watching Ghostbusters for the first time. It was the perfect blend of humor, science, comedy, and good storytelling. I knew it was a classic within the first three minutes. It was obvious that the right cast met the right script at the right time, and the fusion was sheer magic.

That was 1984. There was a second film, perhaps not as exciting as the first, but still quite good.

After the second movie, we fans endured years of silence, broken only by the occasional rumor that the fabled GB 3 might finally happen.

It didn't. The feud between Ramis and Murphy, changes in the industry, any number of factors doomed the continuation of the series.

So when I heard about an all-new Ghostbusters reboot, I was thrilled. When I later heard the leads were going to be an all-girl crew composed of SNL alums, I was ecstatic. Who better, I thought, to pick up the mantle and re-tell the story with a fresh new twist?

But this news of a female GB crew wasn't so well received by everyone.

The backlash on the net was immediate. Purists snarled. Hordes of naysayers emerged, quickly dismissing the film as an abomination before the first trailer aired.

It got ugly. Really ugly. YouTube comments section ugly. The ire spread to Twitter and Facebook and everywhere else, even following the actresses and the director and finally to Ghostbusters grand-master Dan Aykroyd himself, who was viciously attacked for daring to defend the new movie.

Now, most of the detractors will huff and puff and claim misogyny has nothing to do with their palpable hatred of a movie none of them have seen.

Riiiight. I've read the comments, and even the ones that are careful to avoid the appearance of misogyny can't avoid being tainted by its ugly stain.

Ghostbusters was a boys' club, and a very vocal segment of fandom isn't happy about letting girls in. Unless of course they serve as romantic interests or comic relief.  

I'll probably get hate mail for even saying that. But it's okay, because I'll NEVER be forced to deal with the kind of nastiness I've seen directed at the movie via the Ghostbusters Facebook page.

If anyone posts anything enthusiastic or positive about the film, they are quickly shouted down by the detractors. 

I can imagine the posts we don't see. The ones that have to be removed.

I truly feel sympathy for the person behind that page. The one who has to read all that hateful spew, all day every day. 

It's got to be hard on the cast and crew as well. You pour your time and effort, your heart and soul, into a project that is, after all, meant to be fun. It's entertainment, but that doesn't make bringing it to life easier.`

So you do all that work, and instead of the usual friendly buzz and anticipation, you get a steaming bucket of hateful bile thrown in your face. 

That's got to hurt -- and all because there are women in the lead roles?

What the hell is wrong with people lately?

I know, I know, it's just a movie. But I think sometimes this undercurrent of irrational rage is a symptom of something far worse, lurking just beneath society's surface like some hungry crocodile. The scary part is this -- we can't see under the water, and we don't know where the crocodile is going to strike next. Maybe it's a movie. Maybe it's a real person, or real people, somewhere. We've seen that too.

There's just too much hate in the air. 

Maybe hate starts small. Maybe all those furious online rants are akin to a single miniscule droplet of water, part of a growing dark cloud. 

But when enough of those tiny drops come together, we get storms. 

Bad storms, that leave wreckage and horror in their wake. 

Am I claiming that online nastiness directed at a movie is somehow a driving cause in mass murders?

No. Not directly. But I am offering up the proposition that our current environment of vicious online exchanges and the exercise of anonymous fury as the new normal is slowly -- or not so slowly -- desensitizing some people to violence. 

It's just a thought. I'm sure someone will be quick to point out what a deeply flawed and wholly ridiculous thought it is. And it may well be.

But is there any real defense for such rampant outright mean-ness directed toward strangers on a continual, even relentless basis?

If there is, I don't see it.

Now, I know many of the people who read this blog. You're nice folks. You've been nothing but friendly and supportive to me, and I am deeply appreciative for that.

In fact, it's you guys who led me to try and say something positive somewhere online every chance I get. To bite my figurative tongue when I feel the urge to show off my sarcasm arm. 

So I'd like to encourage all of you to do the same. Go say something nice to a stranger. Heck, go to the Ghostbuster's Facebook page and just tell them you liked a trailer. 

Somewhere out there, you might make a weary admin smile. Better still, the dark clouds that hang over us now might shrink, just a tiny bit.

 

 

 

 

 

Behold the Mighty Pear

I'm back!

Before I dive, or more precisely slide carefully into, the blog, let me invite you all to tune into a special live talk show tonight, where I'll the guest of host Renee on her weekly radio show, 'Renee LIVE!'

Renee is a great host, and a fascinating person, and as long as I keep my trap shut and let her talk it'll be a great show! That's 9 PM Eastern or 8 PM Central, tonight, June 5th. I'll slap some links below:

Listen live via the internet by clicking me at 9 PM EST / 8 PM CST from TVM Cafe Radio!

Listen live via the internet by clicking me at 9 PM EST / 8 PM CST from Diversity Broadcasting!

(Quick aside -- to read this in the large print edition, click here...)

Just browse to either place, then click the 'listen now' or 'play' buttons, and you're there. No fees, so signups. 

What will we be talking about? The usual plugs for my books, which I will keep to a minimum, and lots of paranormal / unusual stuff. It ought to be lots of fun. 

So tune in! I've showered, had coffee, shaved my legs. See you there!

WHERE HAVE YOU BEEN, FRANK?

Good question. For years, I've been a fanatic about weekly blog postings. But last month, I only made two entries.

My reasons are twofold. 

First, I pulled back from the net for a while. Look, I try to keep things positive and upbeat here. There's enough negativity out there for any five planets, and to be perfectly honest, I got got overwhelmed.

I don't have to tell you, especially if you live in the US, how downright mean it's gotten online. Nothing and no one is safe, even people and topics well removed from politics. 

New Ghostbusters movie? Misogyny firestorm. I got actual hate mail for posting something enthusiastic on the Ghostbusters movie Facebook page. Which means a stranger was so incensed by my comment 'Looks great, I can hardly wait to see it' that they took the time to describe, in detail, what a terrible stupid person I am.

Which, by the way, made me chuckle as I hit delete. I'm a writer. My skin is rhinoceros hide covered in Kevlar and topped with a fashionable adamantium sweater vest. I've been savaged by editors, people. Lesser beings don't even leave dents.

But not everyone is so well armored. I got so sick of seeing the vicious back-and-forth exchanges online I just said 'enough' and spent more time with books and music, which are always good company.

It's not just online. You can't watch the news without being smacked in the face with nastiness either. Once upon a time, the phrase 'if it bleeds, it leads' was a joke among journalists.

Now, it's a business model. 

That's Reason One for my temporary social media pullback.

Reason Two is a lot more down-to-earth. Karen and I have been involved in a massive home improvement project. A project of such scope and measure that a crew of four to six really should have been involved, but since there's just us and our band of loyal but thumbless dogs, we've done all the work. 

It's nearly killed us both. 

The last three Saturdays have been intense 12-hour slugfests outdoors in the infamous Mississippi heat. My back isn't what it once was, which means Karen has done most of the heavy labor. We go out. We work until we simply can't move. We come back in, shower, and then spend Sundays communicating in moans and hand-gestures ('More painkillers, dear?' usually followed by 'Why are we doing this again?'). I tried to write a blog last Sunday, and got as far as 'T' and 'h' before my hands clenched back into fists and I was forced to lie on the floor and cuss for six straight hours.

Good times. But the project is winding down -- another Saturday, maybe two -- and we'll be done, at least until the next one.

I do miss the days when I could have done everything by myself and laughed about it without so much as a wince. But years of office work have rendered me, to put it kindly, pear-shaped, and also possessed of the pear's legendary strength and physical prowess. 

But it's getting done, nevertheless. Even lowly fruits can dig 300 foot trenches and haul 100 pound panels long distances by hand, if they must, and in this case, they must. 

In other news, the new Markhat book, Way Out West, is still looking at a summer release.

Oh, and I ran over my beloved laptop. We won't go into the details, since they involve a lot of absent-mindedness on my part, but I do have to give a shout-out to Lenovo. The laptop in question was run over by a Toyota RAV-4, and despite all expectations, it lives. The screen is wrecked, sure, but that's being replaced. The keyboard, hard drives, motherboard, and case all survived intact. Not too shabby, in my opinion.

Don't forget the radio show, and tune if if you can! Both hosts have chat rooms (TMV works best if you have IE), so you can talk along with us, if you want.

See you tonight, and again next week!

Now go hug a puppy or something. Life isn't as horribly vicious as the net might make it seem.

 

 

 

 

 

Putting the Band Back Together

Finally, some good news.

The folks at Samhain have graciously reverted the rights to WAY OUT WEST, the new Markhat novel bought by Samhain shortly before the shutdown was announced.

(To read this entry in a large print format, click here!)

Which means the book is mine again, and I'm free to do with it as I will.

This leaves a couple of options open to me. 

I could shop the book around, to agents or publishers. There are a number of advantages to this approach. First, of course, is getting a publisher's marketing and editorial engines behind the book. An agent could maybe get the book on the right desk, and make that happen.

My second best option is to publish WAY OUT WEST myself. With some help, of course.

I'd no sooner try to edit my own book than I would drill my own teeth. I'm a lousy editor of my own work. 

But as it happens, my former Samhain Editor, and the former FLE (first line editor), and both now doing freelance work. 

So what I've decided to do is hire them, go through the same process we used at Samhain, and put the book out myself. 

You'll be getting the very same book you would have if Samhain was handling it, because the same people are doing the same jobs. I'll be confident we're turning out a really good book. I don't think most readers will even realize the process has seen some changes.

The upside to handling WAY OUT WEST this way is time. 

Let's say I pitched WAY OUT WEST around. Months would pass. The wheels of publishing grind slowly. Even if a publisher picked it up, it would probably be middle or late 2017 before the book came out. 

That's a long time to wait for the new book in a series.

By hiring my own editors and cover art, I'll probably have WAY OUT WEST on the stands in June or July. Of this year.

That's the upside.

If the upside is time, I'll bet you can guess what the downside is.

Money. That's right, filthy lucre. Professionals don't work for free. Nor should they.  

I want WAY OUT WEST to be every bit as polished and professional as the Samhain titles were. It will be, because the same team that produced the other titles will be right back at work on the new one. None of the first ten titles were a solo effort, and I've worked too hard and have too much respect for the series to do anything less than the best I can for it. 

So, for everyone wondering about the future of the Markhat Files, you can look forward to a new book this summer. And of course you can still buy the earlier titles in the series as ebooks right now, and keep buying them until Samhain actually shuts down. I wish you would buy one or two. The longer the lights stay on at Samhain, the better for me and all the other authors sharing the situation.

Now if a publisher should drop down out of the blue and offer me a deal, I might take it. Might. It would depend entirely on the publisher, and the deal. At the moment, I have complete faith in Holly, my editor, and I'm honestly not even considering the need for a change. To be quite honest, despite the costs, I'm oddly comforted knowing that by doing this myself, I don't have to worry about a publisher closing their doors again. 

If you're a writer in need of an editor with genuine real-world publishing experience, you can find Holly here:

EVIL EYE EDITING

That's the plan. I thought some of you might enjoy a peek behind the scenes.

So what is WAY OUT WEST about?

Well, without saying too much, this one involves a long ride on a train. Murder. Magic. More murder. Darla is there, of course, and some new faces, as well as the usual crew.

It was a blast to write. I hope it'll be just as much fun to read. 

And I'm thrilled that it will be read. 

I'll post progress reports here along the way. 

And I'll beg a little bit, too. There is one thing you could do that doesn't cost a dime, and only takes a minute. 

If you've read any of the other Markhat titles, and you liked them, please consider going to Amazon and leaving a review. 

If you've already left a review, thanks!

Reader reviews on Amazon play a huge role in whether people see the books or not. 50 seems to be a magic number -- a book with 50 or more reviews winds up featured in those "You might also like this book" emails Amazon sends out from time to time.

I know that's true because the Paths books, which have more than 50 reviews each, show up in those emails all the time.

So if anyone is so inclined, please just follow the link below, pick any book of mine you're read, and leave a quick review. 

It could help the series live on!

LINK TO MARKHAT BOOKS

Thanks!

 

 

 

 

 

What Frank is Reading Now: The Birthgrave, by Tanith Lee

I've decided to start reading older books that I missed, back in the day. My first choice was Tanith Lee's 'The Birthgrave.'

First published 40 years ago, The Birthgrave is unusual on a number of fronts.

The protagonist is a woman, for starters. No, we're not dealing with some fantasy princess who slings spells on her way to regain her lost throne or reunite with her lost love. Written in first person, the heroine has no idea who or even what she is when the book begins.

Ah. I see a couple of you out there, looking askance at me. "Is this one of those awful 'main characters wakes up in a blank white room with amnesia' books? Because those generally, well, suck."

No. It isn't. She wakes up in the heart of a dormant volcano, which erupts as soon as she leaves. The world into which she is thrust is a lush dreamscape of wonders and terrors, of old magic dying and new magic being born. 

There aren't any cute dwarves or lyrical elves in this world. But there is a sense that it's genuine, that people (and other things) live there. 

The heart of the book are the questions it asks -- who am I? What am I? And why am I forced to wear a mask all the time?

If you've ever pondered any of those questions, I think you'll like this book. And even if you haven't, look, Tanith Lee wrote it. Her writing hasn't aged a bit in 40 years, and it won't age after 40 more. The woman was a genius, and it shows in every sentence.

I'm glad I've decided to step back a bit in time and spend some time with older works. Not only is it a lot of fun, I'm hoping the experience might improve my writing. Because yes, I do sit back after every few pages and pick apart what I just read, see if I can pick up any techniques or approaches that lent the pages their particular strengths. I don't think Tanith Lee would mind.

Here are a few more titles on my to-be-read list:

1) Jack Vance. TALES OF DYING EARTH. 

2) L. Sprague De camp and Flecher Pratt. THE INCOMPLEAT ENCHANTER.

3) Lloyd Alexander, THE CHRONICLES OF PRYDAIN

4) Ursula K. LeGuin, A WIZARD OF EARTHSEA.

There's always room for more titles. Suggest one in the comments!

Oh, and if anyone out there would like to try The Birthgrave, I believe it's lending-enabled, if you have a Kindle. I'll be done soon, so let me know, and I'll lend it to you when I'm done.

 

 

Things That Go Bump: Thomas House Edition Report

Thomas House.

Red Boiling Springs, Tennessee. Reputed to be one of the most haunted sites in the US, home to half a dozen colorful ghosts who aren't shy about making their presence known.

That's where I spent last weekend, in the gracious company of Historical Haunts, a TAPS family member group based out of Memphis. 

So Frank, you may be asking. Did you see anything? Hear anything? Is the Thomas House actually haunted, or is all the hype merely a mish-mash of publicity and eager amateur ghost hunters mistaking knocking water pipes for poltergeists?

Well, have a seat, my inquisitive friends, because answering that question is going to take some time.

I arrived at the House well-armed with an array of recording gear. My emphasis was on audio, but I had a bit of everything. Here's my gear, laid out on the small second bed in Room 18.

Parabolic mic and netbook recorder. Magbox and recorder. Tesla radio and recorder. Zoom H1 mic/recorder. Velleman Super Ear and recorder. Ramsey Tri-Field meter. Non-contact temperature gun. Camera. Batteries. And of course the ubiquitous K2.

Did I capture anything with all this gear?

Oh yes. I certainly did. I think the best way to describe my stay at the Thomas House is to proceed in chronological order, incident by incident.

Before I start posting things, though, a reminder. Most of what I captured is audio, and some of it is fairly faint. I can hear everything just fine through the speakers on my PC, but my PC is an old-school tower unit with external speakers. If you're listening on a laptop or a mobile device, the device's tiny speakers may not be able to accurately reproduce the softer sounds. If that's the case, even plugging in and listening through a simple pair of earbuds will present a vast improvement in what.

That said, here we go!

 

THE MOVING BALL

We arrived at the House around four in the afternoon. The projected five hour drive turned into nearly seven hours after a detour from the Natchez Trace sent us straight into bumper-to-bumper traffic through several middling small towns stretched across the interstate. 

We arrived, dumped everything in room 18, and set out to have a quick look around and stretch our legs before unpacking and getting set up.

The Thomas House is old. Built in 1890, and it shows. Walls bob and weave. Floors creak and doors don't quite shut. Dull painted eyes peer down on you from the hundreds of paintings and old photos that cover every inch of vertical wall space. Even the scale of the place is a reflection of the smaller people of the 19th century. 

One of the House's more famous ghosts is that of Sara, a little girl who died in the hotel in 1920. She'd been brought to the Thomas House to partake of the mineral waters that flow beneath the hotel -- at that time, such hot springs were thought to be a panacea. Sadly, they did nothing for poor Sara, who died after only 3 days there.

At the end of the hall shown above, on the left, is a small sitting room. Sara is said to play along this hall, and in the sitting room. We wound up in that room to take a break and rest a bit. There was already a child's ball there.

There were four of us in the room. Mike, Kelly, my wife Karen, and myself. We were all seated. Talking casually. There was no air movement in the room. No one stomping past in the hall. No one striking the floor from below with a jack-hammer. It was quiet and still.

Karen encouraged the spirit of Sara to move the ball. 

Like everyone else in the room, I watched.. I wasn't expecting anything. A brightly-lit room, in the early afternoon? It seemed an unlikely place for anything ghostly to commence.

So when she said, 'Sara, move the ball,' I wasn't anticipating any movement. Nothing in the environment seemed capable of inducing any kind of motion.

Until the ball simply rolled, on its own, half a full revolution.

We all saw it. The floor didn't shake, a passing truck didn't thunder past. The ball simply moved.

I took a photo immediately after this, as I cursed myself roundly for not gearing up when I left the room. So I can offer no video evidence to support my claim -- but like everyone else in that sitting room, I saw the ball move.

MEET HER

After a delicious supper (the cook at the Thomas House is extremely skilled), we split into three groups. My group was the first to enter the infamous Thomas House Chapel, which is said to be inhabited by two spirits.

The first is the Reverend Blankenship, the former pastor, who hung himself above the pulpit after he realized years of shady business dealings were about to be exposed. The second ghost is reputed to be that of Miss Polly, a poor homeless woman the church took in as a resident.

We entered the Chapel around 10:30 PM. I had my magbox, my Zoom, my thermal gun, and a so-called 'spirit box.' Karen had the Velleman Super Ear mic.

As we enter, we caught the first EVP. I heard nothing at the time, but on replay, a voice seems to say 'Meet her.' You can listen by playing the YouTube video linked below.

MEET HER EVP click here

Which is strange, but hardly the only strange thing going on at that time.

My magbox is a simple but effective machine. A magnetic pickup on a two-foot-long extension rod feeds a sensitive audio amp. It's quite capable of identifying 60 Hz house current and nearby cell phones in use. If noncorporeal entities somehow manipulate EM fields, it could detect that too.

It was dead silent on the walk to the Chapel. Because we were well away from electrical lines or circuits. As soon as we entered, though, it began picking up the usual 60 Hz hum present in all buildings with electricity. There was a 'dead spot,' about waist high, where the buzz fell to nothing. But that's not unusual.

Unless you consider that the Chapel HAS NO ELECTRICITY. No supply line. Even that was taken down years ago. I didn't know that when I entered. 

So what was my magbox finding? Ghost circuits? Some odd localized electric field?

I have no idea. I turned the magbox off because the hum was so loud. When we left, a mere hour later, I turned it back on -- to find the new battery was completely drained.

I can't explain that either. I once forgot the magbox. Left it on a headstone in a cemetery in Birmingham. It stayed there running all night, for a total of something like 16 hours, and the battery wasn't drained.

But an hour in the Chapel, in the presence of electricity that wasn't there?

Dead.

Anyway. On to the next!

THE TELL-TALE HEART

I've used my trusty Zoom H1 mic for years now. It's a sensitive, reliable machine with a truly excellent recorder built in. Musicians and journalists use H1's for recording in the field. 

I noticed something strange, though, on the Chapel recording. Present throughout the entire event was a constant, soft noise that my ears didn't hear. As I listened to the recording, though, I kept hearing a dub-dub, dub-dub dub-dub. A sound rather like that of a beating heart.

I did NOT have the mic in a jacket pocket. It was resting on a table. It is not built to pick up heartbeats from people sitting a meter away. 

So what the heck is the sound?

I have absolutely no idea. You can hear it for yourself below by clicking the link.

PULSING BACKGROUND IN CHAPEL click here to listen

WELL HELLO THERE

 

We found chairs in the cramped, junk-filled Chapel, seated ourselves, and the EVP session began in earnest.

I heard nothing at the time, but when a speaker invites any entities present to speak, a faint little voice chirps 'hi.' You can hear it below; the 'hi' is about six seconds into the clip.

HI FROM CHAPEL Click here to listen

THE TOUCH

Many visitors to the Thomas House report being touched.

I myself was not touched. But Karen, my long-suffering wife, was touched not once but twice during our session in the Chapel.

She described both events thusly: First, a sudden rush of extremely cold air, approching from behind. Followed immediately by a cold touch on the back of her neck, moving from just above her collar to her hairline, as though a cold fingertip stroked her. 

I quickly inspected the area for anything that might have hung down or reached in from the side. In both cases, the area was clear. No cobwebs, no hanging lamp cords, no bric-a-brac in the vicinity. The chairs all had low backs. And it was way too cold for bugs of any sort.

I had 3 mics running at the time. My Zoom. The recorder on the magbox -- yes, the magbox was switched off, but the onboard digital recorder was still recording via its own internal mic. And she had the Velleman Super Ear. 

All three of the mics picked up a faint whisper spoken by parties unknown shortly after the second touch. All three mics. 

Let's start by listening to the entire second touch incident, recorded on my Zoom. The whisper is very faint, about 35 seconds into the recording. You'll hear us discuss the touch, hear me verify nothing is near, hear someone say 'there's nothing around here,' and finally you'll hear a woman add 'that we can see.' Then, if you have headphones or loud speakers, you'll hear a faint rustling whisper. Don't worry, the next video contains an amplified looped whisper. But I wanted you to have the full context before I present that.

SECOND NECK TOUCH INCIDENT click here to listen

I listened to all three recordings, from all three mics. I isolated the whisper, added some amplification. Then I combined all three recordings onto the same track. What you'll hear below is a looped recording from the Olympus recorder, followed bny a loop from the Velleman, and finally a loop from the Zoom. It sounds like someone is whispering "He's coming out the door."

WHISPER AFTER TOUCH click here to listen

THE CONFERENCE ROOM

We spent about an hour in the Chapel. Later, several of us moved to the hotel's conference room. 

Note the door on the left side of the image frame. See the panes of glass that make up the door. That will be important later.

We seated ourselves around the table. By now, it is well after midnight. An EVP session is begun -- at one point Stephen mentions that the 'door is open,' speaking metaphorically, because that door is actually closed.

But I suppose something wants in, because after we've been in there about 15 minutes the door begins to rattle and shake. You can easily hear the noise in the clip below. Our reactions are also there, as Sarah, seated at the head of the table with a clear view of the door, reports no one is there.

RATTLING DOOR Click here to listen

What made the door move?

I don't know. Something did, but it couldn't be seen. I can offer nothing in the way of physical explanations.

That wasn't the last conference room event, either. None of us hear anything after the door rattle. The REMpod beeps and boops, as the temperature in the room fluctuates. But no one is touched, and aside from the door nothing moves.

Toward the end of the session, Sarah notes that 'it seems very still now.' Maybe not so much, because the Velleman mic caught a single word from nowhere, that seems to say 'repent.'

REPENT Click here to listen to the unaltered audio

Odd, especially in light of Kevin's own visit to the Chapel, in which he spoke about forgiveness, hoping to offer the Reverend some comfort. 

Below is the word again, this time amplified.

REPENT amplified. Click here to listen. 

THE SLEEP MACHINE

Once upon a time, I worked nights. I lost count of the number of days I worked until the sun rose. I was a night owl's night owl.

But those days are long gone. By 3:00 AM, I was barely able to function. So I took to my bed -- my tiny, tiny bed, which, of course was haunted.

The story is that the tiny second bed in Room 18 was once owned by PT Barnum. It was one of two beds that were said to disturb occupants by shaking all during the night.

I volunteered to sleep in the bed, and I did, but honestly the thing could have launched me through the roof and halfway to Nashville and I doubt I;d have noticed. 

Nevertheless, the Thomas House wasn't done with us.

Karen brought along a noise machine, because I snore. I know, shocking, but it's my one flaw. So she retired to the slightly larger, possibly less haunted bed in the main bedroom and fired up her sleep machine while I collapsed onto the PT Barnum bed and waited for the poltergeist to arrive. 

The door between bedrooms was open. I heard the steady hiss of the sleep machine start up, heard her go to bed.

A few minutes later, the sleep machine went off. Came back on. 

This was repeated three times. I wondered why she was fiddling with the thing, could hear her get up and down, but I was too exhausted to comment.

Unknown to me, Karen wasn't turning the sleep machine off. It turned itself off, three times, forcing her to get up and turn it back on. On the third and final time, she says she told whatever was causing the machine to turn off that she was very tired, and would it please stop playing with the machine?

It did. 

I may have audio of this. I left my parabolic mic running in the small bedroom. But since I took so many mics, and I have a day job and I am trying to finish a new book, I haven't had time to process the audio from the parabolic yet. 

But it happened. I heard it, she witnessed it. Something caused the sleep machine to shut itself off three times, and the phenomena stopped when asked to stop.

 Make of that what you will.

SUMMARY

 I witnessed strange events at the Thomas House. I saw a child's toy ball move, without apparent cause. I witnessed inexplicable equipment malfunctions. I recorded a number of anomalous sounds and voices.

And I haven't even finished processing all the audio. But what was captured, and what I saw, is sufficient to convince me the Thomas House is home to activity that defies mundane explanation.

I will of course continue to analyze my remaining audio, from both the Tesla radio (which spent the entire night on the porch) and the parabolic, which was stationed by the shaking bed in Room 18. Any further events of interest will be displayed here. 

Thanks for reading! Thanks as well to Stephen, Tanya, and Kevin of Historical Haunts.

Stay spooky, people.

“There are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy.”

--Hamlet, Shakespeare